History in the details: Materials - Linen (part 3)

History in the details: Materials - Linen (part 3)

A brief history by costume and picture expert Jayne Shrimpton

Jayne Shrimpton, Professional dress historian and picture specialist

Jayne Shrimpton

Professional dress historian and picture specialist


By the 1600s the flax plant was widely grown by families and communities throughout Britain, the fibres home spun by women and children, and linen cloth for household use woven by jobbing weavers. Strong and absorbent, different grades of linen fabric were used for clothes, domestic furnishings, sailcloth, sacks and artists’ canvases. There was some commercial production in areas including Norfolk, Yorkshire and Ireland, although the softest, finest lawns were often imported from the Low Countries. Yet despite linen’s popularity and convenience, the linen industry within England was overshadowed by the all-important, zealously protected English wool trade (see February–August Periodical issues), while wool was restricted elsewhere. Consequently linen manufacture was actively encouraged as an alternative economic product within Scotland and Ireland.

By the 16th century the teaching and practice of spinning in Ireland was a requirement under the Brehon laws and the craft advanced under the 17th-century Lord Deputies of Ireland, the Earl of Strafford and Duke of Ormonde. Later, Boards of Trustees were established in Dublin in 1711 and in Edinburgh in 1727. Both boards helped to fund all aspects of their respective industries, for instance supplying superior seed to farmers, flax-spinning instruction for women and establishing dedicated bleach greens, as well as enforcing strict manufacturing standards and uniform sizing for the woven cloth. Significantly, the weaving of the much-admired figured (patterned) linens known as damask, once woven mainly in France, Germany and Holland, was introduced into Edinburgh and Dunfermline in the early 1700s, also developing in Lisburn and Belfast in the late 1700s. The Jacquard loom, invented for silk weaving, was also used by the 1820s by Scottish and Irish linen weavers, who produced luxurious damask tablecloths and napkins for wealthy consumers.

Intriguing article?

Subscribe to our newsletter, filled with more captivating articles, expert tips, and special offers.

For around 300 years linen manufacture and export was Ireland’s most important industry, particularly in the North of Ireland. As production grew increasingly mechanised during the Industrial Revolution, linen manufacture became pre-eminent in Ulster. Around one-third of all flax-spinning mills were located in Belfast – including York Mills, the second-largest in the world – and the city was dubbed ‘linenopolis’. Irish linen continued to flourish during the 1800s, linen mills being a primary source of employment for many local families, although mill life was hard. Like its manufacture elsewhere, Irish linen experienced an irreversible economic downturn with the rise of cotton textiles and other cheaper fabrics (more on this next month). No longer a major industry, nonetheless a few Irish families continue the traditional craft of linen weaving today and high quality Irish linen carrying the Irish Linen Guild’s trademark of authenticity is a sought-after fabric within the global luxury market.

 breaking of the flax fibres
Engraving showing breaking of the flax fibres in a scutch mill, from a set of scenes illustrating the Irish linen industry, originally drawn by William Hinckley in 1782
spinning and reeling the flax yarn
Engraving showing boiling, spinning and reeling the flax yarn, from a set of scenes illustrating the Irish linen industry, originally drawn by William Hinckley in 1782
Scottish drawloom weaver and draw boy
A Scottish drawloom weaver and draw boy, 19th century. Drawlooms were used for figured linen cloth including damasks

Discover Your Ancestors Periodical is published by Discover Your Ancestors Publishing, UK. All rights in the material belong to Discover Your Ancestors Publishing and may not be reproduced, whether in whole or in part, without their prior written consent. The publisher makes every effort to ensure the magazine's contents are correct. All articles are copyright© of Discover Your Ancestors Publishing and unauthorised reproduction is forbidden. Please refer to full Terms and Conditions at www.discoveryourancestors.co.uk. The editors and publishers of this publication give no warranties,
guarantees or assurances and make no representations regarding any goods or services advertised.